It’s that time of the year again. Or in fact, it’s already past that time of the year… I’m kinda late this time. Everybody who’s into music is making and/or reading lists at the end of each year. I usually try to keep as far away of listmaking as possible (what’s the use), but for Studio Playlists by Ron van der Ende I gladly made an exception again.

My 2011 list is here (in random order). It’s twice as long as I usually make them, but I had a hard time choosing. No harm done I guess. Oh, and this beautiful release in wooden box topped the cake packaging-wise:

Please do check the other Studio Playlists too. Find out what music got played by some rather interesting artists out there. I just did so myself and made quite a few new discoveries.

You can still visit the exhibition, it ends on January 29. More information can be found here: www.hashtagisthemessage.net.

Social media have made a name for themselves in society. For many, a life without is barely conceivable. How does art relate to social media? Artists are, as with the introduction of photography and video, first at the scene to explore the (artistic) possibilities of the medium. But also to critically examine and question them. Reason enough for Kunstenlab to ask me as a guest curator for an exhibition on this topic. Not only because I’m an artist, designer, curator and owner of a record label, but also as early and frequent social media user.

The exhibition ‘#isthemessage’ shows a kaleidoscopic and intriguing image of social media and the phenomena triggered by them. For example, Christopher Baker makes you aware of the nature of tweets in his Murmur Study, Birgit Bachler lets you listen to the Internet and examines an anonymous communication network in physical public with The Discrete Dialogue Network, Philipp Teister made the login of his personal Facebook profile known in his Facebook Life Sharing project and Nicholas Felton (also graphic designer of the new Facebook Timeline) shows very personal infographics in his Annual Reports.

As with other media, it is primarily how, why and by whom social media are used that matters. The exhibition is the result of research into a multitude of different perspectives from which social media can be viewed: e.g. psychology, identity, communication, utopia, altruism, social criticism, corporate business, data mining, marketing, revolution, democratization (of art) and – somewhat obvious – privacy. The exhibition ‘#isthemessage’ opens new ways to experience the power of social media and to ask critical questions about the place these media have in our lives.

Given the particular subject of this exhibition I decided not to fill the entire exhibition to leave room for a social aspect. The public can contribute and participate by mailing directly to the printer that is installed in the exhibition area (starting December 17 to isthemessage@hpeprint.com) or be a guest curator of this input by making a personal selection of the prints accumulating on the floor. Of course, participation via Twitter (#isthemessage) and this Facebook wall is also possible.

I created the website hashtagisthemessage.net for this exhibition. Usable as an online version of a catalogue. In the middle column you’ll find an additional selection of works, which can be found online. This website will be updated once more with all added content and data obtained during the exhibition.

The opening of #isthemessage takes place on Sunday 18 December at 16:00 with the participation of De Bubbelebim, an (anti)literary and absurd theater-stage-performance-viduo from Rotterdam. De Bubbelebim appears to have something to say about sociale media as well.

Patrick Mangnus did, and rightfully so. My own son Hobbe (9) and his project partner Michelle (8) got an honorable mention for their spectacular entry, which was well deserved and made me really proud. They even get to work with Patrick Mangnus on his winning project, the drive-in movie theatre.

Hobbe (left) and Michelle (right) getting interviewed by DTV.

For those of you still interested in my entry, here it is (pdf, in Dutch).

Sometimes a concert is impressive. And sometimes I write about stuff. And sometimes these two go together really well. This time I was invited by Kicking The Habit to write about a concert I visited yesterday: Ryuichi Sakamoto + Alva Noto in the Catharina church in Eindhoven. I did so this morning. You can read it here (in Dutch).

Some time ago I outlined a basic idea (involving T-shirts) for the ODE2MUM project in a brainstorm session with Claire Bolt, the project leader. I also introduced her to some relevant partners, like Sander op den Dries of Studio Wonder and Jonathan Tan of FATA. Yesterday (Mother’s Day) I was at a presentation in Kunstenlab and the project seems to have worked out great. I also discovered that Claire was kind enough to thank me in the ODE2MUM booklet for my input in the project. Nice.

The previous website of Havenkwartier Deventer was primarily aimed at art and culture in the area and the creative businesses based there. Now that the development of the Havenkwartier area is getting up to steam, there was a need for more.

On www.havenkwartierdeventer.com you’ll find (in addition to plenty of art & culture) more information about living and working in Havenkwartier Deventer. You can also reach the ‘Culture’ section of this new website through the old domain www.havenkwartier.org.

We now say goodbye to the previous corporate identity of Havenkwartier Deventer, designed by Bart Folmer and also to the previous website, developed by me. The new corporate identity is co-created by: Bestwerk, Studio Wonder and Studio Bart Folmer. The new website was built by Dicode. I have only been instrumental in the development of the new website and in the decision-making process of the corporate identity.

This means I am no longer in charge of the technical aspects of the Havenkwartier website, but I am however still in charge of (half of the) content. I am now officially editor for the Culture and Recreation sections of the new website. The other editor is the municipality of Deventer. I also have (a very limited amount of) time to spend on communication and marketing for these sections.

Oh well. Interesting developments.

It’s that time of the year again. Everybody who’s into music is making and/or reading lists. I usually try to keep as far away of listmaking as possible (what’s the use), but for Studio Playlists by Ron van der Ende I gladly make an exception again. It’s getting to be a yearly tradition. Check out all this great music played by artists in their studio’s again this year! My little list is here (in random order).

Check back often, because many more playlists are likely to surface here in the coming weeks. Tracking back to previous years is also interesting.

I understand the official premiere was at Cinepeter some time ago, when I was off relaxing in France. Too bad I couldn’t be there. Anyway, here it is.  I’m quite honoured to now be part of the Bubbelebim omniverse. Don’t forget to check the entire body of De Bubbelebim‘s extensive oeuvre when you’re done watching this gem!